תרגומים מבוקשים

Евиидее ене hумуус чин ыачиhаав дее оирд зарим нег hумуус иh буhимдуу пост улдеегеед бh чин...

Действайте винаги според разума си без страст и в духа на справедливостта, която ви вдъхновява

Terus eteh nelpon ema supaya eteh mau nyerai biar dosa jugu

"Chơi là chơi thế nào chú?"

қырҭтәылаҿы сара бзиа сырбоит

1) Εμπρός λοιπόν.
Από σένα η άνοιξη εξαρτάται. Τάχυνε την αστραπή.
Πιάσε το ' πρέπει' από το ιώτα και γδάρε το
ίσαμε το πι.

2) Αν δεν ξεχειλίσει η καρδιά του ανθρώπου από
αγάπη ή από θυμό, τίποτα δεν μπορεί να γίνει
στον κόσμο.

Завинаги до теб,завинаги с мен-Петър

Buat apa, ga ada apa-apa nya
Ma euak duitnya utuh

Jeśli chcesz być kochany, bądź godny miłości.

تزدان الحكايا برقيّها و يسمو صدانا بأرقى الدروس من ثلة من أستاذاتنا الفاضلات

حين يسمو الفكر يحلق الإبداع بإنجاز متميز

(حكاية رقي): حكاية يصوغها لكم فريقها:
خُطت عباراتها من ملخصات دروس غرفة صدى الجامعات. و جادت أيدي المعطاءات بمزيد عطاء:
دروس ملخصة، بطاقات مصممة، عبارات مترجمة، و حكايا مُصاغة في إنتاجات فيديو ...


(حكاية رقي) : هو الأول في عالم صدانا
عملنا همّة، و بتعاوننا نرتقي ...

ვრჩჰებით საყართველოს აყ xომ ფათარა საყართველო გვაყვს

ناونیشان

به‌کرێده‌ر

نوسینگه‌ی رزگار

من یک بدحجابم

By recreating themselves, artists transcend their time and place and now Salim has endeavored to overlook the life in his hometown, Tehran, by composing his 6th album, namoWoman. An instrumental avant-prog and prog metal album, namoWoman hires microtonal Persian music influences while introducing a newly constructed language (conlang) named "l3abEl" (pronounced Babel) in which the album’s booklet is written.

Salim is a man of extremities while always seeking reconciliation and harmonization among the most remotely contradictory elements. So developing as a rock/metal artist in a rock alien environment in his hometown or expressing himself by personalized mediums like a conlang of his own, all come natural to his lifestyle. In his 2012 album, Salim has hired an expressionist microtonal approach toward art rock/metal that he describes himself as "empty spaces filled with occasional wild electric guitars and expressive melodies while having oriental dance elements undercover".

About the concepts behind namoWoman composition, Salim says "I have always found the assumption of impossibility an important trick against my mind – a human mind that usually prefers patterned and inductional methods of cognition." Salim adds: "As an artist, creating and experimenting with yet unexplored mental realms has always fascinated me and in order to trick my mind into pushing toward new possibilities, I like experimenting around fundamental concepts like human sexuality. Ideas like considering human sexuality beyond its dualistic nature let me to enter a new mindset and fascinations about worlds of non-Carbon based life, gradually fed my creativity for namoWoman. Maybe I can say this mindset forced my mind to respond on vital levels and challenge its own existence…"

The album cover features Carvaggio’s painting of Medusa, which according to Sigmund Freud is "the supreme talisman who provides the image of castration". Salim says: "namoWoman cover design is a symbolic representation as if the way of transforming dualistic conceptuality passes through castrating one’s sexual identity and reconstructing it anew. All songs in this album appear as perspectives of such creative realms".

Here, Persian music quarter tones are coming in between western music intervals – as Salim has outlined in a music theory article on his website, "Persian Modes: Reading Between the Lines of Western Music". While quarter tones harmonize namoWoman album’s musical language, the l3abEl conlang accompanying its booklet tries to establish the harmony in realm of words.

namoWoman is available in digital and CD format at www.salimworld.com/album-namowoman.htm

để từ từ mình post hết hình cho coi

bay h minh chuyen wa muon lam phium nhiu hon

về rồi chúng ta cùng mần nhé

PHU` DUNG WA CAI NAY MA SLO MOW THI THOI RPOI

Hеден мур ганhуулчиhмаар санагдаад...
Анд нзууд гй андуудииг л hелнем
Араар муулй атаарhаhииг ул тевчнем
Анд нзууд гй андуудииг л hелнем
Аыдууhан ырилтсай алгуурhан таниhииг hуснем
Буруу ыридаг ч зувуур зувлулдуhииг
Андиин сетгел hемеен сананам
Будлуиhан ываа негнее
Босгой иреед теверhииг
Андиин чанар hемеен унелнем
Бурууг бусдаас биш
Ууруусуу hарhииг hундлел гй бодном
Буидhан орчилонд анд шиг андииг бид бишернем.

shpirti jem i madh une du me pushue pak se jam shum i lodher e ndexhomi ma von mendoj par ty

Virginius statim in forum lacrimabundus et civium opem implorans filiam suam deducit. Appius in tribunal ascendit, et Virginiam clienti suo addixit. Tum pater: << Quaeso, inquit, Appi*, ignosce patrio dolori, sine* me filiam ultimo alloqui.>> Data venia, pater filiam in secretum* abducit. Ab lanio cultrum arripit, et pectus puellae transfigit. Tum ferro sibi viam facit, et respersus cruore ad exercitum profugit.